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Amsterdam Dance Event 2026 lineup

Alessandro — Sat, 22 Aug 2026 19:58:40 +0000

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ADE 2026

Amsterdam Dance Event 2026 Drops 350+ Artists for Its 30th Anniversary

From David Guetta and Armin van Buuren to Amelie Lens, Jeff Mills, Mochakk and Sammy Virji, the first Amsterdam Dance Event 2026 lineup already reads like a snapshot of electronic music right now.

The Amsterdam Dance Event 2026 lineup is beginning to take shape, and ADE is entering its 30th anniversary with scale. More than 350 artists have already been confirmed across the first wave of the festival programme ahead of the event’s return to Amsterdam from October 21 to 25.

ADE’s first wave is less about one headline act and more about showing just how wide electronic music has become in 2026.

The announcement spans virtually every major corner of electronic music: global EDM, house, techno, melodic sounds, UK club music and a new generation of artists pushing through from underground scenes.

Rather than building the programme around one dominant sound, the first release presents ADE as what it has increasingly become: a meeting point for different scenes, markets and generations.

350+ Artists already announced

30 Years of Amsterdam Dance Event

21–25 October 2026

The Amsterdam Dance Event 2026 lineup covers the full spectrum

At the largest end of the spectrum, David Guetta and Armin van Buuren bring global festival-scale visibility to the programme.

The techno side is equally substantial. Adam Beyer, Amelie Lens, Marcel Dettmann, Helena Hauff, Jeff Mills, Oscar Mulero, Planetary Assault Systems, Philippa Pacho, SPFDJ, Freddy K, Nico Moreno, Rene Wise and FJAAK are among the names already confirmed.

For melodic and progressive audiences, the first wave includes Adriatique, Joseph Capriati, Joris Voorn, Sultan + Shepard and Tinlicker, giving that part of the electronic spectrum significant representation as well.

Selected first-wave names:
David Guetta · Armin van Buuren · Adam Beyer · Amelie Lens · Adriatique · Jeff Mills · Mochakk · The Blessed Madonna · The Martinez Brothers · Sammy Virji · Skepta · Folamour · Chloé Caillet · Franky Rizardo · Joris Voorn · KI/KI · DJ Heartstring · Josh Baker · Prospa · Skin on Skin

House and UK club culture have a major presence

House and disco are represented by artists including The Blessed Madonna, The Martinez Brothers, Folamour, Chloé Caillet, Franky Rizardo and Shanti Celeste.

At the same time, the UK’s current influence on global club culture is visible throughout the announcement. Sammy Virji, DJ EZ, Skepta, Josh Baker, Prospa and MPH all appear in the first wave, reflecting how garage, house and bass-driven sounds are increasingly crossing into wider electronic audiences.

Mochakk, Skin on Skin and DJ BORING further blur the boundaries between underground credibility, social discovery and large-scale festival appeal.

ADE is still investing in the next generation

One of the more important signals in the announcement is the amount of space given to artists who are still building their international profile.

Names including Aldonna, Bella Claxton, BASHKKA, Ciara Cuvé, DJ Heartstring, fumi, KI/KI, Marsolo, Novah, Paige Tomlinson and Yanamaste sit alongside established global figures.

That mix matters. ADE has never functioned only as a festival lineup. For artists, managers, labels and industry professionals, Amsterdam in October is also one of the most concentrated discovery environments in electronic music.

An artist appearing on the programme can move between club shows, meetings, panels, label events and networking opportunities within the same week. That ecosystem is what makes ADE structurally different from a conventional festival.

The 30th anniversary is bigger than the festival programme

ADE’s anniversary year extends beyond the first wave of festival artists. The organisation is also developing its ADE Pro conference, Arts & Culture programme, ADE Green and other initiatives throughout the city.

Jean-Michel Jarre has been announced as guest of honour for the 30th anniversary, while ADE Pro has continued to add artists and industry figures including Mochakk, Josh Baker, SPFDJ and Paul Hartnoll of Orbital.

The wider conference programme is also looking at some of the biggest structural questions facing electronic music today, including independence, technology, market consolidation and collective action.

What this first wave says about electronic music in 2026

The most interesting part of the Amsterdam Dance Event 2026 lineup may not be any individual artist. It is the coexistence of so many different scenes inside the same programme.

Stadium-scale EDM has not disappeared. Techno continues to carry enormous international weight. House remains central. UK garage and bass music are expanding rapidly, while younger artists increasingly move between genres rather than staying inside one category.

ADE’s first wave captures that fragmentation and makes it visible in one place.

Electronic music in 2026 is less defined by a single dominant trend than by several strong movements happening simultaneously.

CLIMAX View

ADE’s strength has always been its ability to show the entire electronic ecosystem at once. The 2026 first wave reinforces that role. Global headliners, underground institutions and emerging talent are not competing for separate worlds anymore; they increasingly exist inside the same culture. For the 30th anniversary, Amsterdam looks set to become the clearest snapshot of where electronic music stands right now.

The complete first-wave programme is already available through Amsterdam Dance Event, with additional artists, events and conference announcements expected as October approaches.

Explore more electronic music news and industry stories on CLIMAX .

Sources

Amsterdam Dance Event: First wave of artists for 30 YEARS ADE

Amsterdam Dance Event: ADE Festival 2026

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Dance music growth in the US according to Luminate 2026 data

Alessandro — Thu, 06 Aug 2026 12:20:43 +0000

Music Data

Dance/Electronic Is the Fastest-Growing U.S. Genre in the First Half of 2026

Luminate’s latest Midyear Report shows Dance/Electronic gaining more U.S. on-demand audio market share than any other genre, powered by current hits and a renewed appetite for the EDM sound of 2015 to 2017.

Dance music growth in the US reached a new milestone during the first half of 2026. According to Luminate’s Midyear Report, Dance/Electronic recorded the largest increase in U.S. On-Demand Audio market share of any genre.

Dance/Electronic gained 0.51 share points, making it the leading U.S. growth genre of the first half of 2026.

The result offers a measurable sign of how electronic music is expanding beyond its traditional club and festival audience. Dance music has been building mainstream visibility for several years, but the new data suggests that the shift is now being reflected more clearly in overall listening behaviour.

Luminate reported that total U.S. On-Demand Audio streams grew by 4.8% during the first half of the year, reaching 732.7 billion streams. Within that growing market, Dance/Electronic achieved the strongest increase in share.

+0.51 Dance/Electronic share-point change

732.7B U.S. On-Demand Audio streams

+4.8% Overall U.S. audio streaming growth

What dance music growth in the US really means

The finding does not mean that Dance/Electronic is now the largest genre in the United States. R&B and Hip-Hop still account for approximately one out of every four U.S. audio streams and continue to lead the market in total volume.

Instead, the Luminate data measures the change in each genre’s share of the U.S. On-Demand Audio market. Dance/Electronic increased its position more than any competing category during the first six months of 2026.

Important distinction: Dance/Electronic is the fastest-growing U.S. genre by On-Demand Audio share-point change, not the genre with the highest total number of streams.

That distinction matters because growth shows momentum. A category can remain smaller than the market leader while still attracting new listeners, increasing consumption and gaining cultural relevance at a faster rate.

Current hits are bringing electronic music forward

Luminate identifies John Summit and Disco Lines among the artists driving the current wave. Their success reflects a wider change in the relationship between club music and mainstream streaming.

Electronic records are no longer required to remain inside specialist DJ sets or genre-specific playlists. The strongest releases can now move between festivals, social media, radio, workouts, gaming content and everyday listening without losing their connection to the dancefloor.

Artists such as John Summit have helped make contemporary house music more visible to audiences that may not previously have considered themselves electronic music fans. The result is a crossover model that does not necessarily require artists to abandon club culture to achieve wider reach.

The 2015 to 2017 EDM era is returning

Current releases are only one part of the story. Luminate also points to a viral nostalgia trend involving Dance/Electronic catalogue tracks released between 2015 and 2017.

One of the examples highlighted in the report is “Closer” by The Chainsmokers featuring Halsey. Records from this period are being rediscovered by listeners who originally experienced them during the peak of the festival EDM era, while younger audiences are encountering the same music through short-form video, playlists and online culture.

Nostalgia is therefore operating on two levels. Older fans are returning to music linked to formative memories, while new listeners are treating those records as fresh discoveries.

The renewed interest also explains why the current electronic landscape contains so many references to progressive house, electro house, melodic festival records and the emotional songwriting associated with the middle of the 2010s.

More than an EDM comeback

Describing the trend as a simple comeback would miss what is actually happening. The electronic music market of 2026 is not rebuilding the exact same culture that existed a decade ago.

Instead, familiar sounds are being combined with modern production, faster content cycles, new social platforms and a generation of artists who understand both the club ecosystem and the attention economy.

House, techno and festival-oriented electronic music now occupy overlapping cultural spaces. Underground records can become viral moments, while major crossover artists can maintain credibility inside clubs and festivals.

This flexibility is one reason Dance/Electronic is currently able to grow across different audiences without depending on one single sound or superstar.

Why this matters for the electronic music industry

The data creates opportunities for artists, labels, promoters and platforms, but it also increases competition. As more listeners enter the category, more releases will compete for the same attention, playlists, social reach and festival positions.

Sustainable growth will therefore depend on more than simply copying the sounds currently performing well. Artists will need recognisable identities, strong communities and strategies that connect streaming momentum with live performance and long-term fan development.

The figures also reinforce the value of measuring movement instead of looking only at absolute totals. Market leadership shows scale, while growth reveals where audience behaviour is changing most quickly.

CLIMAX View

The rise of Dance/Electronic is being driven by both forward movement and cultural memory. Current artists are expanding the audience, while the music of 2015 to 2017 is reconnecting listeners with an era that helped define modern festival culture. This is not simply a return to the past. It is a new growth cycle built from the past and reshaped for the present.

Luminate’s report provides a clear snapshot of the first half of 2026. Whether Dance/Electronic can maintain the same momentum through the rest of the year will depend on the strength of upcoming releases and the genre’s ability to convert renewed attention into lasting audience growth.

Explore more electronic music news and data on CLIMAX .

Sources

Luminate: 2026 Midyear Report findings

Luminate: full 2026 Midyear Report

B Jones Makes an Emotional Return to Tomorrowland After Overcoming Cancer

Alessandro — Mon, 20 Jul 2026 22:36:12 +0000

CLIMAX News

B Jones Makes an Emotional Return to Tomorrowland After Overcoming Lymphoma

The Spanish DJ fulfilled the promise she made during treatment, returning to the Tomorrowland Mainstage for one of the most powerful moments in recent electronic music history.

CLIMAX Editorial Team | July 2026

Some performances are remembered for the music. Others are remembered for what it took to reach the stage.

B Jones delivered one of the most emotional moments of Tomorrowland 2026 when she returned to the festival’s Mainstage after undergoing treatment for lymphoma.

Her appearance represented far more than another major festival booking. It was the fulfilment of a promise made during one of the most difficult periods of her life: to recover, return to performing and stand once again in front of the Tomorrowland crowd.

A battle away from the stage

At the beginning of 2026, B Jones publicly revealed that doctors had discovered a tumour in her spinal area. A subsequent biopsy confirmed that she had lymphoma, forcing the artist to step away from touring and focus entirely on treatment and recovery.

While receiving treatment, the Spanish DJ continued to share messages of strength and positivity with her audience. Tomorrowland gradually became a symbol of the future she was fighting to reclaim.

After later sharing the news that she was in remission, B Jones confirmed that she would keep her promise and return to the festival.

“This was more than a comeback. Stepping onto the Mainstage was already the greatest victory.”

The promise becomes reality

On 19 July 2026, B Jones stepped back onto the Tomorrowland Mainstage in Boom, Belgium, completing a journey that only months earlier had appeared uncertain.

The response from the crowd transformed the performance into a collective celebration of resilience, recovery and hope. Every image carried a meaning that extended beyond the scale of the production or the records being played.

B Jones had already made history as the first Spanish woman to perform on Tomorrowland’s Mainstage. Her return has now added an even more significant chapter to that relationship.

CLIMAX Perspective

Behind every ranking, performance and career milestone, there is a human story. On this occasion, the most important achievement was not a chart position or a festival slot. It was simply being able to return.

Electronic music has always created moments of collective emotion, but only a few performances transcend the event itself.

B Jones’ return to Tomorrowland was one of them.

Sources: DJ Mag, Cadena SER, B Jones official channels and the embedded CLIMAX Instagram Reel.

Ultra Music Festival Unveils Full RESISTANCE Lineup for Miami Music Week Residency at M2 Miami

Alessandro — Mon, 02 Mar 2026 22:12:58 +0000

As Miami Music Week enters its final stretch, Ultra Music Festival has officially revealed the complete RESISTANCE lineup for its five-night residency at M2 Miami.

Running from Wednesday, March 25 through Sunday, the takeover reinforces RESISTANCE’s position as one of the most established underground-focused brands within the global festival ecosystem. The programming balances legacy names with rising forces, reflecting the current state of techno and underground house at scale.

Wednesday, March 25 — Opening Night

The residency begins with the highly anticipated RESISTANCE debut of ¥ØU$UK€ ¥UK1MAT$U, setting a high-intensity tone from the outset. The opening night is further driven by the industrial force of 999999999, the raw energy of Carbon Nerve and the precise, driving techno of Juliet Fox.

Thursday, March 26 — Eric Prydz Returns

Thursday sees Eric Prydz anchoring the evening, bringing his long-standing influence within melodic and progressive techno back to Miami. Argy and Jeremy Olander round out the lineup, offering a refined transition into the core Ultra weekend.

Friday & Saturday — Festival Afterhours at M2

As Ultra Music Festival officially begins on Friday, M2 transforms into a high-caliber afterhours environment.

Friday’s lineup features Amelie Lens, Boys Noize and ØTTA, while Saturday continues the momentum with Boris Brejcha, Miss Monique and Brina Knauss, blending melodic precision with peak-time techno performance.

Sunday — The Official Closing

The residency concludes on Sunday with the official RESISTANCE closing party, traditionally led by Carl Cox. The final night also includes Maceo Plex and rising talent Airrica, bringing the week to a structurally coherent close.

Five Nights, One Underground Axis

Across five consecutive nights, RESISTANCE consolidates its presence during Miami Music Week by offering a focused alternative to the mainstage festival environment.

The full RESISTANCE Miami Music Week lineup is now official.

Miami Music Week 2026: Dates, Events and Ultra Music Festival Lineup

Alessandro — Thu, 29 Jan 2026 16:25:12 +0000

Miami Music Week 2026 takes place from March 24 to March 29, bringing over 200 electronic music events to Greater Miami and Miami Beach.

Miami Music Week 2026 Overview

Every year, Miami temporarily transforms into the global hub of electronic music. DJs, DJ producers, labels, promoters and fans converge for a concentrated week of events known as Miami Music Week.

The 2026 edition of Miami Music Week is scheduled from March 24 to March 29, 2026, activating clubs, hotel pools and venues across Greater Miami and Miami Beach. With over 200 electronic music events planned, the city becomes a fully distributed nightlife ecosystem operating continuously for six days.

Unlike traditional festivals, Miami Music Week has no single main stage. Instead, it functions as a decentralized network of showcases, label takeovers, pool parties and night events spanning genres such as EDM, house, techno, trance, drum and bass, dubstep and bass music.

What Happens During Miami Music Week

Miami Music Week is not only about performances. It is a high-density industry environment where releases are tested, artist momentum is measured and professional relationships are formed in real time.

Events take place across:
• Nightclubs
• Beachfront venues
• Hotel pools
• Temporary pop-up locations

This structure allows multiple audiences and scenes to coexist simultaneously, making Miami Music Week one of the most influential electronic music weeks globally.

Ultra Music Festival 2026: Dates and Location

The week concludes with Ultra Music Festival, Miami’s flagship electronic music event.

Ultra Music Festival 2026 will take place from March 27 to March 29, 2026, at Bayfront Park, located in downtown Miami.

While Ultra represents the most visible endpoint of Miami Music Week, its role is contextual. The festival acts as a large-scale closing chapter to a week already saturated with electronic music programming.

Ultra Music Festival 2026 Lineup Highlights

The Ultra Music Festival 2026 lineup brings together globally established acts spanning multiple generations of electronic music.

Confirmed artists include:
• Above & Beyond
• Alesso
• Armin van Buuren
• Carl Cox
• Dom Dolla
• John Summit
• Hardwell
• Mau P
• Skrillex
• Tiësto

The lineup reflects Ultra’s positioning as a high-scale, cross-genre electronic festival designed for global visibility rather than niche experimentation.

Miami Music Week as Industry Infrastructure

Beyond performances, Miami Music Week operates as an industry-level testing ground. Booking demand, audience response and artist scalability are measured live across dozens of parallel events.

For artists, presence during Miami Music Week often signals:
• market readiness
• international demand
• booking leverage for summer festival seasons

For promoters and labels, the week offers real-time data on crowd response across different formats, venues and price points.

Why Miami Music Week Matters

Miami Music Week is not defined by a single event or lineup. Its relevance comes from density.

For six consecutive days, electronic music occupies public space, nightlife infrastructure and cultural attention simultaneously. This concentration makes Miami Music Week a reference point for understanding where electronic music stands globally at the beginning of each year.

For one week, Miami is not just a destination.
It becomes infrastructure.

Miami Music Week 2026: Key Information

Dates: March 24–29, 2026
Ultra Music Festival: March 27–29, 2026
Location: Greater Miami & Miami Beach
Main Festival Venue: Bayfront Park

FAQ – Miami Music Week 2026

When is Miami Music Week 2026?
Miami Music Week takes place from March 24 to March 29, 2026.

When is Ultra Music Festival 2026?
Ultra Music Festival runs from March 27 to March 29, 2026.

Where is Ultra Music Festival held?
Ultra is held at Bayfront Park in downtown Miami.

How many events happen during Miami Music Week?
More than 200 electronic music events are scheduled across the city.

The 2026 edition is scheduled to take place from March 24 to March 29, activating clubs, hotel pools and venues across Greater Miami and Miami Beach. With more than 200 events planned, the week spans the full spectrum of electronic music, from EDM and house to techno, trance, drum and bass and bass-driven genres.

Rather than a single festival, Miami Music Week functions as a distributed ecosystem. Labels, promoters and artists operate simultaneously across the city, turning Miami into a continuous flow of showcases, daytime activations and late-night programming for six consecutive days.

Ultra Music Festival Closes the Week

The week culminates with the return of Ultra Music Festival, Miami’s flagship electronic event. Ultra will take place at Bayfront Park from March 27 to March 29, closing Miami Music Week with large-scale production and global visibility.

The 2026 lineup includes Above & Beyond, Alesso, Armin van Buuren, Carl Cox, Dom Dolla, John Summit, Hardwell, Mau P, Skrillex and Tiësto.

Ultra remains the most visible endpoint of the week, but its role is contextual. The real impact of Miami Music Week lies in its density: six days where releases are tested, partnerships are formed and audience demand is measured in real time.

For electronic music, Miami is not just a destination.
For one week, it becomes infrastructure.

Tomorrowland Lands in Thailand: A Strategic Expansion Into Asia’s Festival Future

Alessandro — Wed, 07 Jan 2026 20:43:15 +0000

Tomorrowland is officially expanding its global footprint. For the first time in its history, the Belgian-born festival brand will stage a full-scale edition in Thailand, marking its debut in Asia. The event is scheduled for December 11–13, 2026 and will take place in Pattaya, a move that signals far more than a simple geographical extension.

After years of speculation and negotiations, the confirmation represents a decisive step in Tomorrowland’s long-term international strategy, reinforcing its ambition to evolve from a European flagship festival into a truly global cultural platform.

Why Thailand, and Why Now?

he choice of Thailand is no coincidence. Over the past decade, the country has positioned itself as a rising hub for international entertainment, tourism, and creative industries. With strong governmental support and a rapidly growing festival audience across Southeast Asia, Thailand offers the ideal conditions for a large-scale event capable of attracting both regional and international crowds.

The project was developed in close collaboration with local authorities and the national tourism board, highlighting how electronic music festivals are increasingly being used as strategic tools for cultural branding and economic growth.

The Venue and Production Scale

Tomorrowland Thailand 2026 will be hosted at Wisdom Valley, a purpose-built area spanning approximately 237 acres, with a projected capacity exceeding 50,000 attendees per day. The production will be led by Tomorrowland’s European core team, supported by local professionals to ensure the format is adapted to the Asian context while maintaining the brand’s signature standards.

Unlike the Belgian edition, the Thai event will not include a camping area. Instead, the experience will be integrated into Pattaya’s hospitality ecosystem, with curated hotel packages and local travel solutions designed specifically for the festival audience.

A Global Brand, Locally Adapted

For WEAREONE.world, the company behind Tomorrowland, the Thai edition represents a pivotal moment in the brand’s evolution. Beyond a single event, the project includes the creation of a dedicated operational team in Thailand, working in direct coordination with the headquarters in Belgium.

This approach underlines a broader industry trend: global festival brands are no longer simply exporting a format, but building semi-permanent infrastructures and local ecosystems that allow them to operate sustainably across continents.

Commercial Timeline and What’s Next

While the artistic theme and lineup remain under wraps, the first commercial milestones have already been set. Hotel packages will go on sale on February 28, followed by general ticket sales on March 7. As with previous editions, demand is expected to be high, especially given the historical significance of Tomorrowland’s first Asian chapter.

A Signal to the Global Electronic Music Industry

Tomorrowland’s arrival in Thailand sends a clear message to the electronic music industry: Asia is no longer an emerging market, but a central player in the future of large-scale electronic events. As global rankings, touring circuits, and fan bases continue to shift eastward, this move could reshape how artists, promoters, and brands approach the region over the next decade.

For Tomorrowland, Thailand is not just a new destination. It is a statement of intent.

Brooklyn Mirage Is Being Absorbed

Alessandro — Sat, 03 Jan 2026 20:09:45 +0000

Pacha’s parent company moves to acquire Avant Gardner assets, marking a structural shift in New York nightlife

Another chapter closes in the Brooklyn Mirage saga. This time, not with a reopening, but with absorption.

According to industry sources, FIVE Holdings, the Dubai-based group behind the global Pacha brand, is set to finalize a deal with Axar Capital Management to acquire Avant Gardner and its flagship asset, Brooklyn Mirage. The transaction is expected to become official on January 1, with sources indicating a formal close in the early afternoon.

Axar, a longtime creditor of Avant Gardner, recently received bankruptcy court approval to acquire the majority of the company’s assets following a Chapter 11 filing last August. The sale price, reportedly well below market value, triggered immediate legal action from other lenders, who accused Axar of misrepresenting Avant Gardner’s financial condition during the $110 million transaction, as reported by Bloomberg.

What began as a venue crisis now ends as a consolidation play.

Brooklyn Mirage, once positioned as a cornerstone of New York’s large-scale electronic music ecosystem, never reopened after a $30 million renovation failed to pass safety inspections. By October, Avant Gardner had filed for demolition permits. The city pushed back. Objections from the Department of Buildings remain unresolved more than two months later.

The venue never came back online.
The brand never recovered trust.
The asset changed hands.

Sources close to the deal stress that this is not simply a change of ownership, but a reconfiguration of power. The entrance of a globally capitalized nightlife group into one of New York’s most visible electronic music spaces signals a new phase: fewer independents, higher financial pressure, and a market increasingly shaped by capital rather than community.

With Pacha’s backing, New York’s talent market is expected to inflate rapidly. Larger guarantees, aggressive bookings, and brand-driven leverage will likely disadvantage independent promoters still navigating refund obligations from canceled Mirage events and the unresolved fallout of Electric Zoo.

This is not an isolated case.
It is a pattern.

When hedge funds and global hospitality groups enter electronic music, venues stop behaving like cultural institutions and start functioning like financial instruments. Growth accelerates. Risk concentrates. Accountability diffuses.

Pacha is no stranger to New York. The brand previously operated Pacha NYC in Hell’s Kitchen from 2005 to 2016 before exiting the market. Its return comes under a different structure, backed by FIVE Holdings, controlled by Kabir Mulchandani. Mulchandani was arrested in Dubai in 2009 on fraud and embezzlement charges and detained for 140 days before being fully cleared.

Now, fifteen years later, Pacha is back.
Not as a club.
As a consolidation force.

The Mirage era is over.
What replaces it will not be neutral.

Pyramid Ibiza 2025: Ibiza’s Ultimate Underground Sunday Sanctuary Gets Even Stronger!

Alessandro — Fri, 29 Aug 2025 10:00:10 +0000

As Ibiza heads into the peak of late summer, Pyramid at Amnesia continues to rise above the noise with forward-thinking, diverse line-ups that no other party on the island can match. The concept has always been about balance: vital new talents sharing the decks with seasoned legends and debutants, creating an atmosphere that’s both fresh and deeply rooted in electronic culture.

Now in its 8th season, Pyramid has firmly redefined what Sunday nights at Amnesia mean.

Dual-Room Magic: Terrace vs Main Room

Every Sunday, the Terrace pulses with hypnotic house, minimal tech, melodic techno, while the Main Room delves into darker and more stripped-down techno. It’s an uncompromising sonic journey and a sanctuary for true clubbers.

This summer, Pyramid’s mission to amplify new voices has been impossible to miss. Standout performances came from techno innovators U.R.Trax and Anika Kunst, the slick minimal grooves of Chris Stussy and Josh Baker, and the high-energy pop-club spirit of Bubble Love (Ross From Friends). Rising names like Monile, Juaan and Palms Trax have also left their mark, cementing Pyramid’s reputation as a breeding ground for next-gen talent.

“We’re not here to follow trends. They come and go, but what really matters to us is creating nights for the clubbers, starting with the music and the vibe,” the team behind Pyramid explains.

Equally important is Pyramid’s ongoing commitment to female talent. This season has proudly featured some of the most vital women in the electronic scene, from Nina Kraviz and Deborah De Luca to Amelie Lens, Sonja Moonear, Cera Khin, and Alexandria. Their presence, alongside a constant injection of fresh artists and sounds, underscores Pyramid’s role as a party dedicated to diversity, inclusion, and the continuous evolution of Ibiza’s underground.

All the info here!