News – Climax Play – Mixing Music and Data https://climaxplay.net Sun, 11 Oct 2026 10:05:39 +0000 en-US hourly 1 https://wordpress.org/?v=7.1.3 https://climaxplay.net/wp-content/uploads/2025/07/favicon-150x150.png News – Climax Play – Mixing Music and Data https://climaxplay.net 32 32 When Celebrity Power Takes Over the DJ Booth: Travis Scott vs John Summit in Monaco https://climaxplay.net/travis-scott-john-summit-monaco/ https://climaxplay.net/travis-scott-john-summit-monaco/#respond Sun, 11 Oct 2026 10:03:57 +0000 https://climaxplay.net/?p=13547
CLIMAX NEWS • CLUB CULTURE

Chaos in Monaco: Travis Scott Interrupts John Summit's Set After Late Arrival

A Formula 1 after party featuring two of music's biggest names ended with John Summit's DJ set cut short, Travis Scott onstage and a backstage dispute that quickly became one of the weekend's most viral moments.

There are late arrivals, and then there are late arrivals that completely rewrite the running order. At Lilly's Club in Monte Carlo, a high profile Formula 1 after party featuring John Summit and Travis Scott turned into an unexpected clash between DJ culture, celebrity hierarchy and the basic rules of a live show.

The event took place on Sunday, June 7, with both artists appearing on the same bill at the Monaco club.

John Summit was already performing when the situation changed. According to Summit's account after the event, another artist arrived late and forced his way onto the stage, bringing Summit's performance to an abrupt end.

The issue was not simply that Travis Scott appeared onstage. It was how the change happened.

What happened inside Lilly's Club

Videos from the night spread rapidly online and show Travis Scott approaching the performance area while Summit was still behind the decks.

Scott can be seen climbing into the booth area with a microphone before beginning his own performance, while the ongoing DJ set effectively comes to an end.

The moment immediately created confusion around the stage. Footage from the aftermath also showed members of Summit's team attempting to manage the situation as tensions increased around the booth.

Summit's production director, Erik Fink, later became part of the public conversation surrounding the incident and directly referenced Travis Scott when promoting Summit's following Ibiza appearance.

John Summit responds

Summit addressed the situation on social media shortly after the event.

“My show got shut down due to another artist showing up late and forcing his way onto the stage.”

Summit did not initially name Travis Scott in the statement, but he attached Scott's track “TOPIA TWINS” to the post, making the reference difficult to miss.

Fink was considerably less subtle. In a later Instagram post promoting Summit's return to Ibiza, he explicitly referenced Scott while joking about the next show being without him.

More than a celebrity argument

The viral clips make the episode easy to reduce to another celebrity confrontation.

But for electronic music, the more interesting question is what happens when two very different performance cultures meet in the same booth.

A DJ set is built around continuity. Timing, transitions and control of the room are part of the performance itself. Interrupting that sequence is fundamentally different from moving the start time of a conventional concert.

At the same time, large Formula 1 weekend parties increasingly combine DJs, rappers, pop artists, celebrities and luxury hospitality into the same programme. The result can create spectacular lineups, but it also requires extremely clear production management when schedules move.

THE CONTEXT

Lilly's Club officially promoted the June 7 event as a joint John Summit and Travis Scott night during the Monaco Grand Prix weekend. The venue listed the event from 11 PM until the early hours of the following morning.

When star power collides with the DJ booth

There is also a wider cultural tension behind the incident.

In a club environment, the person behind the decks controls the musical narrative until the scheduled handover. In celebrity driven events, however, traditional running orders can sometimes become secondary to the arrival of the biggest name in the building.

That is precisely why the Monaco episode resonated so quickly beyond the people who were actually in the room.

For DJs, the booth is the stage. A forced interruption does not simply shorten a performance, it changes the performance itself.

For an audience, meanwhile, a surprise Travis Scott appearance can be an extraordinary moment. Those two realities can exist at the same time.

Travis Scott has not publicly explained the incident

At the time the incident was initially reported, Scott had not issued a public response explaining his version of what happened at Lilly's Club.

That distinction matters. The most detailed public account of the disruption came from Summit and members of his team, while the circulating videos show parts of the incident rather than the full production discussions that preceded it.

What is clear is that the planned transition between two headline performances did not happen cleanly, and the result became one of the most discussed nightlife moments of Monaco's Grand Prix weekend.

CLIMAX VIEW

A DJ booth is not an open microphone.

Unexpected moments are part of nightlife, and sometimes they become the moments everyone remembers. But a DJ set is still a performance with its own structure, timing and creative control.

Whatever the level of celebrity involved, the most sustainable version of these crossover events is one where surprise does not come at the expense of another artist's performance.

Read more electronic music news and industry stories on CLIMAX .

Sources

Lilly's Club / Xceed: John Summit x Travis Scott, June 7, 2026

TMZ: John Summit's Monaco set ends abruptly

MusicTech: John Summit addresses Travis Scott interruption

]]> https://climaxplay.net/travis-scott-john-summit-monaco/feed/ 0 Mau P launches Baddest Behaviour Records in 2026 https://climaxplay.net/mau-p-launches-baddest-behaviour-records-in-2026/ https://climaxplay.net/mau-p-launches-baddest-behaviour-records-in-2026/#respond Sat, 10 Oct 2026 18:40:29 +0000 https://climaxplay.net/?p=13539
CLIMAX NEWS • LABELS

Mau P Launches Baddest Behaviour Records: From Party Brand to Artist Platform

Mau P is taking Baddest Behaviour beyond the dancefloor. His new record label turns a successful global event concept into something potentially much bigger: a platform for the next generation of electronic music producers.

Four years after “Drugs From Amsterdam” turned Mau P into one of the most recognisable new names in house music, the Dutch producer is entering a different part of the industry.

This time, he is not simply releasing another record. He is building the place where other records can live.

Mau P has officially launched Baddest Behaviour Records, a new artist-led imprint created to give producers a platform for music that has been reaching his inbox for years.

From releasing on other DJs' labels to building his own

Mau P's rise has been closely connected to artist-led labels. Since his 2022 breakthrough, his music has appeared through imprints associated with some of electronic music's most influential names, including John Summit's Experts Only, Chris Lake's Black Book and Solomun's Diynamic.

That makes the next step particularly interesting. Mau P is moving from being an artist given a platform by others to becoming someone capable of providing that platform himself.

Baddest Behaviour is no longer just an event brand. It is becoming part of Mau P's infrastructure.

Baddest Behaviour was already bigger than one party

The name will already be familiar to anyone following Mau P's touring career. Baddest Behaviour has evolved into his own international event concept, including a residency at Pacha Ibiza and major shows across cities such as New York, Miami and Los Angeles.

Turning that identity into a record label creates a direct connection between the music being discovered, the artists playing the events and the audience already following the brand.

And that may prove more significant than simply adding another logo to the crowded electronic music label landscape.

The label is designed to pay opportunity forward

Mau P has explained that the motivation behind the project comes from the volume of music producers have sent him over the years. Until now, hearing a strong demo did not necessarily mean he had somewhere to release it.

Baddest Behaviour Records changes that.

The idea is also closely connected to his own trajectory. Mau P has spoken about established artists who supported his music and gave him visibility at key moments in his career. With his own imprint, he can now potentially do the same for someone else.

This one's for the culture, for the scene.

Why this launch matters

Artist-owned labels are nothing new in electronic music. But the strongest ones become more than release vehicles. They develop a sound, a community and eventually an ecosystem around the artist who founded them.

Mau P already has several of those ingredients. He has the audience. He has the touring brand. He receives the demos. And Baddest Behaviour already carries an identity that audiences recognise.

The new label gives him the missing piece: a permanent outlet for music beyond his own catalogue.

THE BIGGER PICTURE

Earlier in 2026, Mau P also teased plans for his debut album and a Baddest Behaviour clothing line. Taken together, the projects suggest a wider expansion of the brand beyond releases and DJ shows alone.

From artist to curator

The real test for Baddest Behaviour Records will now be curation.

A successful artist can attract thousands of demos. A successful label needs to turn that access into a recognisable musical identity and consistently identify records and artists worth building around.

For Mau P, that transition could be the most interesting part of the entire project.

His career has already shown how quickly one record can change an artist's trajectory. Baddest Behaviour Records now gives him the opportunity to help create that moment for somebody else.

Baddest Behaviour is entering its next phase.

What started as a recognisable name around Mau P's live identity is becoming a platform capable of connecting releases, artists, events and audience under one brand.

Follow the latest electronic music industry stories on CLIMAX News →

]]> https://climaxplay.net/mau-p-launches-baddest-behaviour-records-in-2026/feed/ 0 deadmau5 Shares Screenshots of Alleged Death Threat Linked to Brazil https://climaxplay.net/deadmau5-death-threat-brazil/ https://climaxplay.net/deadmau5-death-threat-brazil/#respond Wed, 29 Jul 2026 18:07:16 +0000 https://climaxplay.net/?p=13389
deadmau5 death threat linked to Brazil
Industry News

deadmau5 Shares Screenshots of Alleged Death Threat Linked to Brazil

The Canadian electronic music artist published a disturbing social media exchange featuring a handgun image and messages warning him to stay away from Brazil.

The alleged deadmau5 death threat became public after the Canadian producer shared screenshots of a disturbing Instagram exchange. The images appeared to include a handgun photo and messages warning him to stay away from Brazil.

Online threats are not fan culture. They are intimidation.

According to the screenshots published by deadmau5, an Instagram account sent the producer a photograph of a handgun alongside messages referencing Brazil. The sender also appeared to claim that the artist was being watched and warned that he would never return to the country.

The messages quickly circulated across electronic music pages and social media communities, generating discussion around online harassment, artist safety and the risks faced by internationally visible performers.

What the deadmau5 death threat screenshots show

deadmau5 published the exchange on his social channels and explained that, although he would not normally expose another person publicly, he does not tolerate death threats.

“I also don’t appreciate death threats.”

The screenshots appear to show a direct conversation in which the sender presents the weapon as a message connected to Brazil. Other messages allegedly warned the producer that he was being watched and that he should not return to the country.

The identity, location and intentions of the person behind the account have not been independently verified by CLIMAX. The available information is based on the material shared publicly by deadmau5 and subsequent media reporting.

A characteristically direct response

Rather than responding with visible fear, deadmau5 answered the messages with sarcasm. He questioned the credibility of the alleged threat and commented on the weapon shown in the photograph.

The reaction was consistent with the producer’s famously direct and unfiltered online personality. However, his decision to publish the conversation also communicated a more serious point: messages involving firearms and warnings about an artist’s future movements cannot simply be dismissed as ordinary criticism.

The case attracted attention not only because of the content of the messages, but also because deadmau5 is one of the most internationally recognisable figures in electronic music. His touring schedule, public appearances and festival performances regularly bring him into direct contact with audiences across different countries.

The wider issue of artist safety

The incident has reopened a wider conversation around online harassment, personal security and the increasingly direct relationship between artists and anonymous social media accounts.

Platforms such as Instagram allow musicians to communicate directly with their audiences and build global communities without traditional barriers. That accessibility is one of the most powerful elements of modern music culture, but it can also expose artists to harassment, intimidation and potentially dangerous behaviour.

Beyond the immediate shock of the exchange, the incident highlights how quickly direct access can become a security concern for public figures. Social platforms allow fans to contact artists without intermediaries, but the same proximity can also enable threatening behaviour.

For internationally touring DJs, the issue is especially sensitive because festival appearances, travel plans and public schedules are often promoted weeks or months in advance. That visibility is essential to the live music industry, but it can also create vulnerabilities when online hostility becomes specific or includes references to weapons and locations.

The deadmau5 death threat discussion therefore extends beyond one artist or one message. It raises broader questions about how social platforms respond to reported threats, how management teams assess risk and how the electronic music community distinguishes criticism from intimidation.

Whether an online message is eventually considered credible or not, sending images of firearms and warnings connected to an artist’s movements crosses a clear line. These actions should not be normalised as part of online fandom or dismissed as harmless provocation.

CLIMAX View

Electronic music is built around community, freedom and shared experience. Threats of violence have no place within that culture. Direct access to artists should strengthen the relationship between performers and audiences, not become a tool for harassment or intimidation.

At the time of publication, CLIMAX has not found a confirmed public statement from law enforcement regarding the exchange.

CLIMAX will update this story if further verified information becomes available.

Explore more electronic music news on CLIMAX .

Sources

deadmau5: original public statement

EDM.com: report on the alleged threat

]]> https://climaxplay.net/deadmau5-death-threat-brazil/feed/ 0 The Climax Top 100 DJs 2025 is live! https://climaxplay.net/the-climax-top-100-djs-2025-is-live/ https://climaxplay.net/the-climax-top-100-djs-2025-is-live/#respond Thu, 16 Oct 2025 13:02:18 +0000 https://climaxplay.net/?p=9288 The Climax Top 100 DJs 2025 – Mixing Music and Data

The Climax Top 100 DJs 2025 is officially out, built entirely on real data collected between Oct 1, 2024 and Sept 30, 2025.
For the first time, every dimension of an artist’s global presence has been measured through a single unified algorithm, blending fan engagement, streaming, sales, and live performance data to reflect who truly shaped electronic music in 2025.

No votes. No hype. 100% real data. Discover all the 100 positions!

How the Climax Algorithm Works

The Climax Algorithm 2025 translates real audience behavior into measurable data, not to replace emotion, but to capture it. Behind every number there’s a listener, a fan, a DJ who plays the track and a community that keeps the scene alive.

It weighs 17 performance indicators across 13 global platforms, organized into four key areas that define an artist’s true impact:

1. Streaming Power (40%)

Measures how much your music is played worldwide.
Platforms: Spotify, YouTube, SoundCloud, Deezer, Anghami.

2. DJ Support & Credibility (30%)

Reflects your recognition within the industry.
Metrics: 1001Tracklists supports (15%), Beatport score (15%).

3. Social Reach (20%)

Tracks the growth and engagement of your audience across Instagram, TikTok, YouTube, X, and Facebook.

4. Events & Fanbase (10%)

Analyzes your real-world fanbase through Bandsintown and Songkick.

Global Highlights — What the Data Reveals

The 2025 Climax Top 100 confirms a year of global diversity, with data reflecting how every region shaped the sound of electronic music in its own way.

🇮🇹 Italy: The New Powerhouse of European Dance
With six artists in the global ranking, Italy continues to assert itself as one of the most vibrant countries in the scene.
Meduza (#18) and Gabry Ponte (#30) lead the Italian wave, bridging mainstream success with club credibility.
Anyma (#17) represents the melodic avant-garde, while GENESI (#38), CASSIMM (#56), and legend Benny Benassi (#75) complete an impressive lineup that confirms Italy’s cross-generation strength in production, performance, and streaming.

🇫🇷 France: From Heritage to Innovation
France stands out once again with David Guetta reclaiming the top spot at #1, and Hugel (#4) representing the new generation’s club energy.
Both artists exemplify how French producers continue to shape the global mainstream with a mix of emotion, groove, and innovation.

🇬🇧 United Kingdom
The UK remains a creative hub, with Calvin Harris (#2), Fred Again.. (#9), and Disclosure (#25) embodying the perfect fusion of emotional songwriting and club rhythm.
Chris Lake (#13), and Dom Dolla (#33) underline the ongoing dominance of UK-born or UK-based tech-house culture.

🇩🇪 Germany
Germany maintains its strong global presence with Purple Disco Machine (#12) and Topic (#76).
Their success on both streaming and radio airplay shows Germany’s ability to balance underground credibility with commercial appeal.

🇺🇸 United States: Streaming Giants and Festival Kings
The U.S. scene remains an unstoppable force — Skrillex (#3), John Summit (#7), and The Chainsmokers (#8)dominate global streaming and live performance data, proving America’s dual leadership in innovation and entertainment.
Diplo (#11) and Marshmello (#10) reinforce the country’s massive digital reach and global fanbase impact.

🇳🇱 The Netherlands: Legacy and Evolution
Dutch icons continue to influence every corner of the world, with Tiësto (#5), Armin van Buuren (#6), and Martin Garrix (#19) all within the top 20.

]]> https://climaxplay.net/the-climax-top-100-djs-2025-is-live/feed/ 0 Farewell to Ron Carroll, a True House Music Legend https://climaxplay.net/farewell-to-ron-carroll-a-true-house-music-legend/ https://climaxplay.net/farewell-to-ron-carroll-a-true-house-music-legend/#respond Tue, 14 Oct 2025 09:49:52 +0000 https://new.climaxplay.net/?p=8834 It is with great sadness that the world of dance and house music has received the news of the passing of Ron Carroll, the iconic artist and voice who inspired generations of clubbers and DJs.

Known worldwide as “The Voice of House Music”, Carroll collaborated with some of the most influential names in the electronic scene, delivering unforgettable performances and helping to shape the very history of the genre.

His powerful voice, charisma, and stage presence gave life to productions that still resonate on dancefloors across the globe today.

The entire dance community comes together to remember an artist who was not only a singer, but a true ambassador of house culture.

Ron Carroll’s music will live on, keeping his artistic legacy and impact on millions of fans alive forever.

]]> https://climaxplay.net/farewell-to-ron-carroll-a-true-house-music-legend/feed/ 0 Climax Algorithm 2025 Explained https://climaxplay.net/climax-algorithm-2025-explained/ https://climaxplay.net/climax-algorithm-2025-explained/#respond Tue, 14 Oct 2025 09:49:38 +0000 https://new.climaxplay.net/?p=8832  

Why an Algorithm?

Climax was created with one mission: to build the most reliable and data-driven DJ ranking in the world. Unlike traditional lists based on votes or opinions, our Top 100 is powered by data. Real numbers, from real platforms, that reflect the true global impact of DJs.

Every year we refine our algorithm to adapt to the evolution of the music industry. For 2025, the Climax Algorithm has grown: more parameters, more platforms, more accuracy.

What Changed in 2025?

  • 17 parameters (up from 14 in 2024)

  • 13 platforms (up from 11 in 2024)

  • Smarter calculations: monthly averages instead of peaks, fanbase growth instead of static totals

  • Live impact included: for the first time, Bandsintown and Songkick data are part of the ranking

  • Balanced weighting: streaming, social media, and community engagement are considered together

The result: the most comprehensive picture of a DJ’s influence  across streaming, fan engagement, and live presence.

Platforms Used in 2025

  • Streaming & Charts: Spotify, YouTube, Deezer, Anghami, SoundCloud, Apple Music, Amazon, Tidal

  • Social Media: TikTok, Instagram, Facebook

  • Fan & Live Data: Bandsintown, Songkick

  • Industry Data: DJ support data, Beatport

 

Why This Matters

This evolution means that the Climax Top 100 DJs 2025 is the most data-driven, transparent, and balanced ranking in the electronic music industry.

We believe that DJs should be recognized not just for streams, but for their ability to build communities, engage fans, and move dancefloors worldwide.

 

]]> https://climaxplay.net/climax-algorithm-2025-explained/feed/ 0 Amsterdam Dance Event 2025: The Countdown Has Begun! https://climaxplay.net/amsterdam-dance-event-2025-the-countdown-has-begun/ https://climaxplay.net/amsterdam-dance-event-2025-the-countdown-has-begun/#respond Tue, 14 Oct 2025 09:45:40 +0000 https://new.climaxplay.net/?p=8828 With less than two months until the kickoff, the Amsterdam Dance Event is getting ready to once again transform the Dutch capital into the global hub of electronic music and innovation. From October 22 to 26, the world’s most influential conference returns with a stellar mix of artists, thought leaders, and industry pioneers!

ADE has revealed over 250 artists performing at this year’s edition, with highlights including: Black Coffee, Hardwell, Skepta, James Hype, Oliver Heldens, Dave Clarke, Helena Hauff andunderground favorites like Eris Drew, KI/KI, Klangkuenstler, DVS1, Narciss, Octo Octa

More than 100 ADE Festival events are already confirmed, among them:

Skepta with his Más Tiempo label at Shelter, Black Coffee and Klangkuenstler headlining the Ziggo Dome, DBN Gogo opening at Melkweg, Dave Clarke celebrating 20 years of Dave Clarke Presents, Job Jobse with a four-hour extended set at Hemkade and many more!

 
📸 Enrique Meesters

ADE Pro Conference: Industry Heavyweights Take the Stage

ADE Pro has confirmed a new wave of speakers and sessions that highlight the future of electronic music across cultures and continents:

Tomorrowland Brasil director Mario Sergio Albuquerque Filho sharing insights on international expansion

ANOTR and the No Art / SONA Worldwide team reflecting on growing from small Amsterdam parties to a global lifestyle brand

Daniel Rérat (Keinemusik CEO) on building one of Berlin’s most distinctive collectives

Dutch trailblazers Armin van Buuren, Joris Voorn, and KI/KI, covering trance to techno to the underground

Nicole Moudaber exploring the rise of the MENA club scene and her experience shaping Beirut nightlife

Placebo’s Stefan Olsdal and Digital 21 on blending band culture with electronic production

Scuba, bringing the dual perspective of artist and label head (Hotflush Recordings)

Amsterdam-based DJ/curator Coco Maria for Bandcamp’s Essential Insider Knowledge session

Michael Mayer, Kompakt co-founder, reflecting on four decades of shaping electronic culture

ADE Pro also continues its acclaimed Meet the Pros program, connecting attendees with managers, promoters, agents, and organizers from leading companies including WME, MAC Artists, DECIBL, Coral Agency, Lab 54, Club Guest House, IME Link, Intercell, Wonder Manage, and Entourage.

New Wave of Artists Announced

The second wave of names for ADE Festival 2025 has also been revealed: Amaliah, Ben UFO, Bullet Tooth, CARISTA, Carl Craig, Chris Stussy, DJ Pierre, Enrico Sangiuliano, FJAAK, Héctor Oaks, Indira Paganotto, Jeff Mills, Mahmut Orhan, Moodymann, Polygonia, Sally C, Seth Troxler, THC, Tjade, TOKiMONSTA, TWIENA, YoungWoman and many more join the already stacked lineup, bringing the total to over 1,200 artists across 450 eventsthis October.

TIP:  ADE Pro Pass, Last Chance for Discounted Rate!

The ADE Pro Pass gives full access to the conference program, networking events, ADE Festival shows, and year-round access to ADE’s online platform and database. Passes are still available at a discounted rate, but only for a few hours!

https://www.amsterdam-dance-event.nl/en

 

]]> https://climaxplay.net/amsterdam-dance-event-2025-the-countdown-has-begun/feed/ 0 Carl Cox, Meduza, Claptone, a forest and a ferris wheel: Superaurora is back for round two and it’s a thousand times bigger! https://climaxplay.net/carl-cox-meduza-claptone-a-forest-and-a-ferris-wheel-superaurora-is-back-for-round-two-and-its-a-thousand-times-bigger/ https://climaxplay.net/carl-cox-meduza-claptone-a-forest-and-a-ferris-wheel-superaurora-is-back-for-round-two-and-its-a-thousand-times-bigger/#respond Thu, 12 Jun 2025 19:41:31 +0000 https://climaxplay.net/?p=7401 From June 20th to 22nd, the stunning grounds of Castello Chigi, just outside Rome, will once again come alive with sound, color, and cosmic energy as Superaurora Festival returns for its second edition.
This year’s lineup features 35+ artists performing across multiple stages, with a genre-fluid and cross-generational program designed to ignite connections and awaken the senses. The roster includes international heavyweights and boundary-pushing names such as:
CARL COX · MEDUZA · MOODYMANN · CLAPTONE · MACE (US) · NIC FANCIULLI · ANNA TUR · STELLA BOSSI
alongside leading Italian rap voices such as:
KETAMA126 · KID YUGI · NOYZ NARCOS

Carl Cox

The Vision Behind the Name

Superaurora was born from a desire to create something bold, inclusive, and visually powerful. The name fuses “Super”, a Latin-rooted word symbolizing greatness, and “Aurora,” a universal word that evokes both the Northern Lights and the mystical energy of the cosmos. The vision? To build a galaxy where every year, festival-goers can explore new worlds each shaped by sound, color, and the natural environment.

A Bold Debut, a Stronger Return

Launching a new festival is no small feat. After a challenging debut in 2024, the team, led by Luca Carinci (CEO) and Andrea Antonelli (CMO) has raised the bar for 2025. Learning from the logistical challenges of the first edition and fueled by overwhelmingly positive feedback, they’ve reimagined Superaurora with higher production value, a more diverse lineup, and a deeper artistic vision.

Their ambition? To create something that can rival the biggest European festivals while staying rooted in Italian identity and creativity.

Music Meets Art, History Meets Nature

What sets Superaurora apart is its unique fusion of historic architecture, immersive soundscapes, and artistic expression all set within the lush, forested grounds of Castello Chigi. More than just a scenic backdrop, the castle carries emotional weight: during World War II, it was spared from destruction by a Nazi soldier who was so moved by its beauty that he disobeyed orders.

In 2025, this symbolic site becomes a canvas for cultural rebirth. Expect a Ferris wheel, video mapping installations, creative workshops, an artisan village, and a full camping experience, turning the entire location into a living microcosm where different art forms collide.

Beyond the Music

While music remains the heartbeat of Superaurora, the festival’s founders see it as just one element of a larger, transformative experience. Each edition will continue expanding its scope—adding layers of visual storytelling, interactive spaces, and multi-sensory environments to elevate the overall journey.

]]> https://climaxplay.net/carl-cox-meduza-claptone-a-forest-and-a-ferris-wheel-superaurora-is-back-for-round-two-and-its-a-thousand-times-bigger/feed/ 0 UNVRS: Ibiza’s Hyperclub Revolution Begins  https://climaxplay.net/unvrs-ibizas-hyperclub-revolution-begins/ https://climaxplay.net/unvrs-ibizas-hyperclub-revolution-begins/#respond Wed, 14 May 2025 14:02:01 +0000 https://climaxplay.net/?p=7384
UNVRS: Ibiza’s Hyperclub Revolution Begins 

Ibiza’s nightlife is set to be redefined with the grand opening of UNVRS, the world’s first hyperclub, on May 30, 2025. This groundbreaking venue promises an immersive experience, blending cutting-edge technology with top-tier electronic music. 

The opening night boasts a stellar lineup:
• Carl Cox
• Jamie Jones
• Joseph Capriati
• The Martinez Brothers
• Michael Bibi
• Carista
• Ahmed Spins
• Adam Ten
• Mita Gami
• Salomé Le Chat   

UNVRS aims to set a new standard in clubbing, offering unparalleled sound, visuals, and storytelling. It’s more than a venue; it’s a journey into the future of electronic music. 

For tickets and more information, visit UNVRS.com.

]]> https://climaxplay.net/unvrs-ibizas-hyperclub-revolution-begins/feed/ 0 From Critique to Icon: How Daft Punk Got Their Name https://climaxplay.net/from-critique-to-icon-how-daft-punk-got-their-name/ https://climaxplay.net/from-critique-to-icon-how-daft-punk-got-their-name/#respond Sat, 19 Apr 2025 18:55:03 +0000 https://climaxplay.net/?p=7353

In the early 1990s, two French musicians, Thomas Bangalter and Guy-Manuel de Homem-Christo, formed an indie rock band named Darlin’ alongside Laurent Brancowitz. The band’s name was inspired by the Beach Boys song of the same name. Darlin’ released a few tracks, including a cover of “Darlin'” and an original composition, which were featured on a compilation EP. However, the band’s music received a lukewarm reception.​

A pivotal moment came when the British music magazine Melody Maker reviewed Darlin’s music, describing it as “a daft punky thrash.” While the critique was intended as a slight, Bangalter and de Homem-Christo found the phrase amusing and saw potential in it. Embracing the term, they adopted “Daft Punk” as the name for their new electronic music project.

This rebranding marked a significant shift in their musical direction. Moving away from indie rock, Bangalter and de Homem-Christo delved into electronic music, experimenting with drum machines and synthesizers. Their innovative approach and distinctive sound quickly gained attention, leading to the release of their debut single “The New Wave” in 1994. This track laid the foundation for their groundbreaking debut album, Homework, released in 1997.​

The transformation from Darlin’ to Daft Punk illustrates how a negative review can be repurposed into a powerful brand identity. By embracing and redefining criticism, Bangalter and de Homem-Christo turned a disparaging remark into a name that would become synonymous with innovation in electronic music.

]]> https://climaxplay.net/from-critique-to-icon-how-daft-punk-got-their-name/feed/ 0